{"id":5446,"date":"2024-06-20T10:50:39","date_gmt":"2024-06-20T08:50:39","guid":{"rendered":"http:\/\/www.dresden-magazin.com\/?p=5446"},"modified":"2020-05-06T14:11:06","modified_gmt":"2020-05-06T12:11:06","slug":"childrens-biennale","status":"publish","type":"post","link":"https:\/\/dresden-magazin.com\/en\/heart-of-the-city\/childrens-biennale\/","title":{"rendered":"A festival of art for children"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">At the Children\u2019s Biennale you are not only permitted to be noisy, you are expected to be. The interactive works of art on display positively invite visitor participation. \u201cAll the artworks here are designed to be touched and altered, it is only through and by the visitor that art emerges and lives,\u201d says curator Florence Thurmes.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Art to touch<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Take for example the \u201cSketch Aquarium\u201d installation. Using digital technology, the Japanese art collective teamLab projects an aquarium onto the walls of a room. Here fish, octopus and jellyfish swim all over the walls. What is brilliant is that every visitor is invited to colour in a sea creature and then scan in their picture. Their drawing then joins the aquarium and the other inhabitants there and continues to \u201clive\u201d in it. Children can even feed the fish virtually.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/Bildschirmfoto-2018-10-15-um-13.38.01-1024x676.jpg\" alt=\"Kunst auf der Kinderbiennale: Kinder malen an Tisch, dahinter wird ein Aquarium an die Wand projiziert\" class=\"wp-image-5423\"\/><figcaption> The &#8220;Sketch Aquarium&#8221; by the art collective teamLab creates an interactive world which develops a life of its own. The fish, drawn by the public and later scanned, swim in an enormous digital aquarium. \u00a9 Oliver Killig <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The theme of the Children\u2019s Biennale is \u201cDreams &amp; Stories\u201d. The exhibits approach this in many different ways. V\u00e9ronique Joumard\u2019s \u201cOrange\u201d, for example, consists of a wall painted in bright orange heat sensitive paint. When visitors touch the wall, the warmth of their bodies leaves behind a pale imprint that can still be seen even after they have left the room.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A children\u2019s council selected the artworks<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The Children\u2019s Biennale is a collaboration with the National Gallery Singapore, where it appeared last year for the first time. \u201cOrange\u201d, \u201cSketch Aquarium\u201d and the other artworks were all selected by the target group themselves. Curator Florence Thurmes took advice from a children\u2019s council made up of a group of children aged six to thirteen from a youth club in Dresden and the Dresden International School. She presented them with 40 potential exhibits. \u201cThe young people were extremely discerning,\u201d Thurmes tells us. One piece made from polystyrene for example was rejected as the material could not be reused.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-1024x683.jpg\" alt=\"bunter Schaum umflie\u00dft Betons\u00e4ule\" class=\"wp-image-5425\" srcset=\"https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-1024x683.jpg 1024w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-300x200.jpg 300w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-768x512.jpg 768w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-391x261.jpg 391w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-592x395.jpg 592w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-970x647.jpg 970w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-640x427.jpg 640w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-360x240.jpg 360w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-576x384.jpg 576w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-1035x690.jpg 1035w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-1536x1024.jpg 1536w, https:\/\/dresden-magazin.com\/wp-content\/uploads\/2018\/10\/2_Stephanie_Luening_colored_gallery-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption> Stephanie L\u00fcning created a studio and a laboratory for the Children\u2019s Biennale in which both she herself and anyone who cares to can get creative, experimenting with coloured ice cubes that are available in a freezer. \u00a9 Alena Drahokoupilov\u00e1 <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The supporting programme is also based on wishes expressed by the children. A printmaking workshop, a photo competition in which children have to illustrate their dreams through photography and a theatre workshop are all designed to complement the exhibition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The council were also critical of how museums are often not very child-friendly places. \u201cThe children requested more music, more interaction and to be allowed to touch the exhibits. They also asked that everything is not too quiet, so that they can be allowed to be noisy in the exhibition,\u201d says Florence Thurmes. The Children\u2019s Biennale took all these wishes on board, and it works. For many children one visit is not enough. \u201cA couple have told me that they have already visited the exhibition three times.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Children\u2019s Biennale runs until 24 February 2019. Admission is free.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Participating artists include \u00d3lafur El\u00edasson (from mid-November), F\u00e9lix Gonz\u00e1lez-Torres, Susan Hiller, V\u00e9ronique Jourmard, Mark Justiniani, Jan Kunze (colouring book), Lynn Lu, Stephanie L\u00fcning, Rivane Neuenschwander and teamLab.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Japanisches Palais,&nbsp;Palaisplatz 11, 01097 Dresden, Tel. +49 (0)351 49142000<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At the Children\u2019s Biennale you are not only permitted to be noisy, you are expected to be. The interactive works of art on&hellip;<\/p>\n","protected":false},"author":22,"featured_media":34918,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[7,6],"tags":[],"class_list":["post-5446","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-heart-of-the-city"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.8 (Yoast SEO v28.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>A festival of art for children - Dresden Magazin<\/title>\n<meta name=\"description\" content=\"Children and art - do they really even go together? 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