{"id":8021,"date":"2019-07-11T17:48:17","date_gmt":"2019-07-11T15:48:17","guid":{"rendered":"http:\/\/www.dresden-magazin.com\/?p=8021"},"modified":"2020-10-20T16:40:09","modified_gmt":"2020-10-20T14:40:09","slug":"ostrale-2019","status":"publish","type":"post","link":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/","title":{"rendered":"Dresden’s Documenta"},"content":{"rendered":"\n

The woman in Anya Janssen\u2019s portrait People Say I\u2019m Different 4<\/em> stands barefoot and wearing a floral dress. The painting features on the main poster advertising the 2019 Ostrale.<\/p>\n\n\n\n

This iteration of Dresden\u2019s largest exhibition of contemporary art, now held on a biennial cycle, has an intriguing title: -ismus<\/em> (English: -ism). A brief suffix that always comes in handy when a new idea takes root, when a phenomenon becomes a system.<\/p>\n\n\n\n

What immediately springs to mind is Impressionism, Expressionism, Dadaism, but the Ostrale is not trying to provide a brief history of modern art in a single exhibition. Instead, it focuses on eight \u2018isms\u2019 \u2013 and thus spreads its wings quite far.<\/p>\n\n\n\n

\"\"
“People Say I’m Different 4”, oil on canvas, 220 x 160 x 5 cm, 2017 \u00a9 Anya Janssen<\/figcaption><\/figure><\/div>\n\n\n\n

Eight \u2018-isms\u2019, endless variety<\/strong><\/h3>\n\n\n\n

\u2018Ideologism\u2019, terrorism, territorialism, naturalism, animism, consumerism, \u2018dystopism\u2019 and \u2018womanism\u2019: these are the themes of the art exhibition.<\/p>\n\n\n\n

\u201cWhile the boundaries between reality and fiction are increasingly becoming blurred in a time of digital transformation, traditional \u2018isms\u2019 are being resorted to again in order to assert values \u200b\u200band worldviews,\u201d says Andrea Hilger, Director of the Ostrale.<\/p>\n\n\n\n

Dresden\u2019s version of the world-famous Documenta in Kassel aims to be politically astute, socially responsible and, above all, relevant \u2013 catching everything with a sweeping blow. The boxing gloves, which the woman is wearing in Janssen\u2019s painting, also fit the mood. Although this detail seems to have been incorporated almost casually, it nevertheless underscores her proud attitude. All the determination and all of the fighting spirit are in her facial expression.<\/p>\n\n\n\n

Janssen, whose style is otherwise photorealism and whose images contain references to Heavy Metal, horror and mystery, has opted for incompleteness in People Say I\u2019m Different<\/em>. The series of portraits arose from meetings with the Ugandan artist Christine Ayo. In a number of respects, they could be described as \u2018sketchy\u2019.<\/p>\n\n\n\n

Janssen expresses her fascination with identities and how permeable these are. Because she maintains that the \u2018I\u2019 is something very porous. That identities blend. That every encounter leaves behind traces and changes a person. There is a \u2018we\u2019 that is in a constant state of flux. People Say I\u2019m Different 4<\/em> has thus become the overarching theme for this year\u2019s Ostrale. I, we, you, the others. Identity, separation, community, society. Around 180 artists have presented more than 300 works of art, putting their own slant on the theme. From painting to performance art and audio-visual installation, the Ostrale respects no boundaries between the genres \u2013 in the best sense of the word, it \u2018sprawls\u2019.<\/p>\n\n\n\n

Contemporary statements<\/strong><\/h3>\n\n\n\n

This is nowhere more apparent than in the category designated \u2018WomanIsm\u2019. On the one hand, it is a term derived from feminist theory, and on the other, it is the name of a German-African art project that links up with the Ostrale.<\/p>\n\n\n\n

Andrea Hilger explains: \u201cBy \u2018WomanIsm\u2019, we basically mean the self-confidence that stems from work. It is above all an African perspective, which is very different from the way we see things in Germany. Our aim is to look in depth at cultural policy towards the role of women in the context of artistic work, to give a voice to voiceless people and to rebalance discrepancies in equal rights.\u201d<\/p>\n\n\n\n

For example, Usha Seejarim from South Africa has taken the project as an opportunity to engage with the issue of work and gender. She uses clothes pegs to fashion intricate sculptures. A simple device used by many women in their everyday work thus becomes the raw material for art and social critique.<\/p>\n\n\n\n

Satellite city Dresden<\/strong><\/h3>\n\n\n\n

For the first time in the history of the Ostrale, it has become a decentralised event. Smaller venues \u2018revolve\u2019 around the main exhibition like satellites. At the Bautzner Strasse memorial site, for example, Rolf Blume\u2019s The Finder<\/em>, a surreal construction made from outsized everyday objects, exerts a completely different effect. It reminds Andrea Hilger of radio antennas and surveillance machines. The room with its bare walls, a former Stasi interrogation chamber, creates an oppressive association.<\/p>\n\n\n\n

On display at the Goethe Institute, the leading German organisation for international cultural exchange, is Patrick Fenech\u2019s photo gallery Me and My Favorite Insect \u2013 Displacement Series<\/em>. It shows people holding framed images of endangered insects. The photos combine to make a complex statement, not only about migration but also about our relationship to the environment.<\/p>\n\n\n\n

In addition to the Goethe Institute and the Bautzner Strasse memorial, the Ostrale also has side-exhibitions at the Ausl\u00e4nderrat (immigration Office), the Galerie SAP\u2019Art and the former fire station in Loschwitz.<\/p>\n\n\n\n

But all of these threads converge on Striesen where the bulk of the works can be viewed. Andrea Hilger: \u201cThe historic f6 tobacco factory was still in use up until the end of 2018 and is central to the lives of many Dresdeners who are certainly also curious about the building itself. Before its conversion into apartments, we have use of the premises until 1st September and are able to harness their very peculiar charm for the arts. The factory is ideal for this purpose, because it offers different spatial structures, including in its basement and grounds.\u201d<\/p>\n\n\n\n

Many people think of Dresden as a city of art exclusively in the historic sense, forgetting that all of this art was contemporary in its own era and first had to establish itself <\/p> Andrea Hilger<\/cite><\/blockquote>\n\n\n\n

The Ostrale exhibitions will remain open until September. After that, the WomanIsm project embarks on a tour of Africa. And in Dresden, the search will begin for a new venue and for the next theme. Andrea Hilger: \u201cMany people think of Dresden as a city of art exclusively in the historic sense, forgetting that all of this art was contemporary in its own era and first had to establish itself. Modern art therefore sometimes has a tough time, which is reflected in the sad fact that some galleries specialising in contemporary art have had to close down. At the moment, especially with the ongoing construction boom, it is becoming more and more difficult to find rooms in which to exhibit. Unfortunately, we do not yet know where, or even if, we can stage the 2021 Ostrale Biennale.\u201d<\/p>\n\n\n\n

Main exhibition:<\/strong>
Historische Tabakfabrik f6 Striesen, Dresden
Entrance Schandauer Strasse 68
11th June \u2013 1st September 2019<\/p>\n\n\n\n

Satellite exhibitions:<\/strong>
Gedenkst\u00e4tte Bautzner Stra\u00dfe, 11th June to 8th September 2019
Goethe-Institut Dresden, 12th June to 1st September 2019
Ausl\u00e4nderrat Dresden e.V., 13th June to 1st September 2019
Kunst- und Kulturverein Alte Feuerwache Loschwitz, 28th June to 18th August 2019
SAP\u2019art Dresden (3rd June to 1st September)<\/p>\n\n\n\n

www.ostrale.de<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Ostrale Biennale for Contemporary Art presents more than 300 works of art on issues such as the environment and migration, value systems and worldviews.<\/p>\n","protected":false},"author":18,"featured_media":7967,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[7],"tags":[],"class_list":["post-8021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"acf":[],"yoast_head":"\nOstrale 2019: Dresden's Documenta - Dresden Magazin<\/title>\n<meta name=\"description\" content=\"The Ostrale Biennale for Contemporary Art presents more than 300 works of art on issues such as the environment and migration, value systems and worldviews.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dresden's Documenta\" \/>\n<meta property=\"og:description\" content=\"The Ostrale Biennale for Contemporary Art presents more than 300 works of art on issues such as the environment and migration, value systems and worldviews.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"Dresden Magazin\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/visit.dresden\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-07-11T15:48:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-20T14:40:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i1.wp.com\/dresden-magazin.com\/wp-content\/uploads\/2019\/07\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg?fit=2560%2C1412&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1412\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Christopher Wasmuth\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@visit_dresden\" \/>\n<meta name=\"twitter:site\" content=\"@visit_dresden\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christopher Wasmuth\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/\"},\"author\":{\"name\":\"Christopher Wasmuth\",\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/#\\\/schema\\\/person\\\/bd29e28374ba96462f600be90261a973\"},\"headline\":\"Dresden’s Documenta\",\"datePublished\":\"2019-07-11T15:48:17+00:00\",\"dateModified\":\"2020-10-20T14:40:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/\"},\"wordCount\":1095,\"image\":{\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/dresden-magazin.com\\\/wp-content\\\/uploads\\\/2019\\\/07\\\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg\",\"articleSection\":[\"Culture\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/\",\"url\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/\",\"name\":\"Ostrale 2019: Dresden's Documenta - Dresden Magazin\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/dresden-magazin.com\\\/wp-content\\\/uploads\\\/2019\\\/07\\\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg\",\"datePublished\":\"2019-07-11T15:48:17+00:00\",\"dateModified\":\"2020-10-20T14:40:09+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/#\\\/schema\\\/person\\\/bd29e28374ba96462f600be90261a973\"},\"description\":\"The Ostrale Biennale for Contemporary Art presents more than 300 works of art on issues such as the environment and migration, value systems and worldviews.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/#primaryimage\",\"url\":\"https:\\\/\\\/dresden-magazin.com\\\/wp-content\\\/uploads\\\/2019\\\/07\\\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg\",\"contentUrl\":\"https:\\\/\\\/dresden-magazin.com\\\/wp-content\\\/uploads\\\/2019\\\/07\\\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg\",\"width\":2560,\"height\":1412,\"caption\":\"Roman Weinig: \\\"Augenblick der Achtsamkeit\\\" Martha\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/culture\\\/ostrale-2019\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Dresden’s Documenta\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/\",\"name\":\"Dresden Magazin\",\"description\":\"Die Vielfalt von Dresden Elbland im offiziellen Stadtmagazin\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/#\\\/schema\\\/person\\\/bd29e28374ba96462f600be90261a973\",\"name\":\"Christopher Wasmuth\",\"url\":\"https:\\\/\\\/dresden-magazin.com\\\/en\\\/author\\\/cwasmuth\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Ostrale 2019: Dresden's Documenta - Dresden Magazin","description":"The Ostrale Biennale for Contemporary Art presents more than 300 works of art on issues such as the environment and migration, value systems and worldviews.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/","og_locale":"en_US","og_type":"article","og_title":"Dresden's Documenta","og_description":"The Ostrale Biennale for Contemporary Art presents more than 300 works of art on issues such as the environment and migration, value systems and worldviews.","og_url":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/","og_site_name":"Dresden Magazin","article_publisher":"https:\/\/www.facebook.com\/visit.dresden\/","article_published_time":"2019-07-11T15:48:17+00:00","article_modified_time":"2020-10-20T14:40:09+00:00","og_image":[{"width":2560,"height":1412,"url":"https:\/\/i1.wp.com\/dresden-magazin.com\/wp-content\/uploads\/2019\/07\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg?fit=2560%2C1412&ssl=1","type":"image\/jpeg"}],"author":"Christopher Wasmuth","twitter_card":"summary_large_image","twitter_creator":"@visit_dresden","twitter_site":"@visit_dresden","twitter_misc":{"Written by":"Christopher Wasmuth","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/#article","isPartOf":{"@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/"},"author":{"name":"Christopher Wasmuth","@id":"https:\/\/dresden-magazin.com\/en\/#\/schema\/person\/bd29e28374ba96462f600be90261a973"},"headline":"Dresden’s Documenta","datePublished":"2019-07-11T15:48:17+00:00","dateModified":"2020-10-20T14:40:09+00:00","mainEntityOfPage":{"@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/"},"wordCount":1095,"image":{"@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/#primaryimage"},"thumbnailUrl":"https:\/\/dresden-magazin.com\/wp-content\/uploads\/2019\/07\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg","articleSection":["Culture"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/","url":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/","name":"Ostrale 2019: Dresden's Documenta - Dresden Magazin","isPartOf":{"@id":"https:\/\/dresden-magazin.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/#primaryimage"},"image":{"@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/#primaryimage"},"thumbnailUrl":"https:\/\/dresden-magazin.com\/wp-content\/uploads\/2019\/07\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg","datePublished":"2019-07-11T15:48:17+00:00","dateModified":"2020-10-20T14:40:09+00:00","author":{"@id":"https:\/\/dresden-magazin.com\/en\/#\/schema\/person\/bd29e28374ba96462f600be90261a973"},"description":"The Ostrale Biennale for Contemporary Art presents more than 300 works of art on issues such as the environment and migration, value systems and worldviews.","breadcrumb":{"@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/#primaryimage","url":"https:\/\/dresden-magazin.com\/wp-content\/uploads\/2019\/07\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg","contentUrl":"https:\/\/dresden-magazin.com\/wp-content\/uploads\/2019\/07\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg","width":2560,"height":1412,"caption":"Roman Weinig: \"Augenblick der Achtsamkeit\" Martha"},{"@type":"BreadcrumbList","@id":"https:\/\/dresden-magazin.com\/en\/culture\/ostrale-2019\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/dresden-magazin.com\/en\/"},{"@type":"ListItem","position":2,"name":"Dresden’s Documenta"}]},{"@type":"WebSite","@id":"https:\/\/dresden-magazin.com\/en\/#website","url":"https:\/\/dresden-magazin.com\/en\/","name":"Dresden Magazin","description":"Die Vielfalt von Dresden Elbland im offiziellen Stadtmagazin","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dresden-magazin.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/dresden-magazin.com\/en\/#\/schema\/person\/bd29e28374ba96462f600be90261a973","name":"Christopher Wasmuth","url":"https:\/\/dresden-magazin.com\/en\/author\/cwasmuth\/"}]}},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/dresden-magazin.com\/wp-content\/uploads\/2019\/07\/O19_Weinig_Roman_1691__WERK2-MEDIA-das_Internet-scaled.jpg","_links":{"self":[{"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/posts\/8021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/comments?post=8021"}],"version-history":[{"count":9,"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/posts\/8021\/revisions"}],"predecessor-version":[{"id":19409,"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/posts\/8021\/revisions\/19409"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/media\/7967"}],"wp:attachment":[{"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/media?parent=8021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/categories?post=8021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dresden-magazin.com\/en\/wp-json\/wp\/v2\/tags?post=8021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}